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'Budgets and Markets' highlights the decisions involved in budgeting and marketing European films. It looks at the origin, development, production, distribution, finanancing and profit of thirteen films, including such critical and popular successes as Tacones Lejanos (High Heels) by Pedro Almodovar and Peter's Friends by Kenneth Branagh. Detailed financial data is reinforced by interviews with the producers of each film. The core of the analysis is based on the question 'was this film made at the right price for the right market?'
Film --- Europe --- #SBIB:309H1312 --- Motion picture industry --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Economic aspects --- -Marketing --- History and criticism --- Motion pictures --- Marketing. --- -Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Cinema --- Marketing
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#SBIB:309H1313 --- #SBIB:309H1312 --- #SBIB:AANKOOP --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- CDL --- 791.43
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What has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era? In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time low, cinema buildings were in a state of disrepair and home video had yet to flourish. Since then, while many business challenges - especially for independent producers and distributors - remain, the industry overall has developed beyond recognition. In recent years, as British films have won Oscars, Cannes Palms and Venice Golden Lions, releases such as Love Actually, Billy Elliot, Skyfall, Paddington and the Harry Potter series have found enormous commercial as well as critical success. The UK industry has encouraged, and benefitted from, a huge amount of inward investment, much of it from the Hollywood studios, but also from the National Lottery via the UK Film Council and BFI. This book portrays the visionaries and officials who were at the helm as a digital media revolution began to reshape the industry. Through vivid accounts based on first-hand interviews of what was happening behind the scenes, film commentator and critic Geoffrey Macnab provides in-depth analysis of how and why the British film industry has risen like a phoenix from the ashes.
Motion picture industry --- Industrie du cinéma --- History --- Histoire
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Motion picture industry --- Motion picture industry --- Economic aspects --- Economic aspects
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Dans les années vingt, deux athlètes britanniques prédisposés pour la course à pied se servent de leur don, l'un pour combattre les préjugés xénophobes, l'autre pour affirmer sa foi religieuse.
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Alors que les Khmers rouges envahissent Phnom-Penh, le journaliste américain Sydney Schanberg se lie d'amitié avec son assistant local, Dith Pran. Ensemble, ils parviennent à faire évacuer la famille de ce dernier, mais Dith refuse de fuir son pays. Il sera arrêté quelques jours plus tard par les Khmers rouges...
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Ridley Scott choisit, pour son premier film, de raconter l'opposition de deux officiers français durant les guerres du Premier Empire. De loin en loin et chaque fois que le leur permet leur occupation, ils se battent en duel, jusqu'à l'affrontement final, sanctionné par le sang et la mort. Ridley Scott développe d'emblée les éléments d'un univers formel captivant, à l'esthétique soignée et inventive.
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Graphic arts --- Photography --- Film
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